Today I continue the blog series titled Following folktales around the world! If you would like to know what the series is all about, you can find the introduction post here. You can find all posts here, or you can follow the series on Facebook!
Haiseb and the man who cooked himself
and other folktales from the Khoi of Namibia
Sigrid Schmidt & Veronica Eiases
Macmillan Education Namibia, 2008.
This book was written for entertainment reading, and contains 29 stories from the Khoi people of Namibia. There are no introduction or notes, only black-and-white illustrations, but the name of the storyteller is noted with every story.
Highlights
The tale of the girl who married a springbok would be an excellent story for therapy. It belonged to the type where the girl marries into the spirit world and then has to escape, but it was a particularly powerful variant. Here, the springbok-husband "softened the bones" of his wife so she could not stand up or get away from him; she crawled home on her stomach, and had to win back her family's support before they helped her regain her strength. Another therapy-worthy story was that of the lazy horse. It told about a place where people had to cross lion-infested lands to get food; everyone hurried to make the trip faster, except for a man with a "lazy horse" that kept stopping to eat and drink. When the lions did attack, however, that horse was the only one that had the strength to get away.
I enjoyed the story of the chameleon and his twenty wives. The chameleon did not have the resources to care for that many women, so he kept feeding them some of his own flesh in secret. When they found out, they all left him, leaving their colorful dresses behind... and he has been wearing those every since.
Connections
There was yet another story that explained why chickens scratch the dirt (looking for a needle they borrowed from falcon and then lost). I knew the tale of the three elephants from Mali; the animals truned themselves into pretty women to trick a hunter into telling them all his secrets. His mother warned him to be more careful, and the kept one trick up his sleeve that helped him get away from the vengeful elephants.
It was interesting to encounter a story that I read from Venezuela before: a cannibal woman killed a pregnant mother and raised her twins as her own. The sister of the twins, Aga-abes, eventually revealed the truth to them, and they trapped and killed the cannibal, and revived their mother.
The resident trickster was Jackal, who in one story turned into grass just to be reincarnated as a calf and steal some cow milk. He also played the classic horse-riding trick with Lion and Lion's wife.
Where to next?
South Africa!
Monday, October 28, 2019
Monday, October 21, 2019
Unlikely heroes, diverse tricksters (Following folktales around the world 127. - Angola)
Today I continue the blog series titled Following folktales around the world! If you would like to know what the series is all about, you can find the introduction post here. You can find all posts here, or you can follow the series on Facebook!
Folk-tales of Angola
Fifty tales, with Kimbundu text, literal English translation, introduction, and notes
Héli Chatelain
The American Folk-Lore Society, 1894.
This is a very old book: the very first volume of the American Folk-Lore society series! It contains fifty folktales collected from the Mbundu people of Angola. The collector was a linguist who traveled to the country to help missionaries learn the local languages. Most of the tales came from a student of his named Jeremiah, who even accompanied him to America to help put the stories into writing.
The long and detailed (although definitely dated) introduction talks about Angola's geography, natural resources, climate, population, languages, societies, folklore, and oral traditions. A separate chapter deals with phonetics and pronunciation, since all the stories are printed in mirror translation, both in the original language and in English. They have been translated carefully word for word, which makes the English rendering hard to read and enjoy (even though, I still found quite a few fun stories in it). At the end of the book we get extensive notes for each tale to help with the understanding of linguistic and cultural details. This book was definitely ahead of its time.
Highlights
I have read a similar story before, but I really liked this version of The son of Kimanaueze and the Daughter of the Sun and the Moon. A mortal man wanted to marry the celestial girl, but there was no one to carry his letters to her. Frog figured out a way to make the trip back and forth (in the water jugs of heavenly maidens), and managed to arrange the marriage through multiple visits.
The tale of Dinianga Dia Ngombe was strange but very entertaining. The hunter killed a deer and skinned it, but then the animal suddenly jumped up and got away. The hunter yelled after it, shaming it for running around "naked" - to which the deer responded that the hunter looked even more embarrassing, going home with an empty deer skin and nothing else. The humor was similarly poignant in the story of The young man and the skull; here the protagonist met a talking skull that warned him that his wits will be his undoing. The young man went around boasting that a talking skull told him he's so smart it will be his end... until they told him to prove his story. The skull, however, refused to talk, and the young man was beheaded, his own skull joining the family of talking skulls that should have known better.
I was fascinated by the tale of the two men who competed for the same girl. The father gave them the difficult task of catching a live deer. One of them considered his options and decided not to try, while the other stubbornly completed the task. The father gave the girl to the former, claiming that a man who followed senseless orders without thinking will make a terrible husband, and will beat his wife if she makes a mistake. Whoa.
Connections
The story of the (beautifully named) Na Nzua Dia Kimanaueze was similar to the European "boy who turned into animals" tales, except here the hero could take on the form of any animal, not just three, and besides rescuing a princess, he also used his forms to hunt for food when he was hungry. The princess, by the way, had to be rescued from slavery in Portugal. The story had a similar beginning than that of The woman who ate too much fish, except in that one, she did not have to give up her child to the God of Fish (eco-tales!), but rather, a particularly large fish came to life in her stomach, just like in the African-American story of the Singing Geese.
Once again I encountered a story about a woman (Ngana Samba) who married into the spirit world - here, against her will - and managed a daring escape together with her children. There was also another story where a little sister saved her siblings from the evil Ma-kishi spirits by keeping vigil at night and keeping them occupied. She eventually convinced her sisters to run away from the spirit world; in their escape they were helped by a hawk, which, strangely reminded me of a story I read from Kiribati.
There was a whole host of resident tricksters, including Hare and Monkey. In a Tar Baby variant they actually appeared together, and were caught by the tar-women set up by Leopard (but obviously they got away). In the tale about the shared food secretly stolen, Fox was tricked by a wily Mole, but he managed to take revenge in the end. In the story where the "male goat gave birth to kids" trial had to be decided, it was clever Duiker (a distant relative to Mouse Deer) who helped the defendant; while the infamous horse-riding trick of Br'er Rabbit was played on Elephant by Frog. I was also reminded of Br'er Rabbit stories by the "briar patch" tale, where Turtle made people believe he could only be killed by being thrown into the river. The ungrateful predator rescued from a trap (and then put back in) was Leopard, tricked by Hare. Leopard was also the villain of the story where he invited animals along to his family, played tricks on them on the way, and had them killed in the end. It was Monkey who managed to outsmart him (in other African traditions it used to be Antelope who tricked wily Tortoise).
Where to next?
Namibia!
Folk-tales of Angola
Fifty tales, with Kimbundu text, literal English translation, introduction, and notes
Héli Chatelain
The American Folk-Lore Society, 1894.
This is a very old book: the very first volume of the American Folk-Lore society series! It contains fifty folktales collected from the Mbundu people of Angola. The collector was a linguist who traveled to the country to help missionaries learn the local languages. Most of the tales came from a student of his named Jeremiah, who even accompanied him to America to help put the stories into writing.
The long and detailed (although definitely dated) introduction talks about Angola's geography, natural resources, climate, population, languages, societies, folklore, and oral traditions. A separate chapter deals with phonetics and pronunciation, since all the stories are printed in mirror translation, both in the original language and in English. They have been translated carefully word for word, which makes the English rendering hard to read and enjoy (even though, I still found quite a few fun stories in it). At the end of the book we get extensive notes for each tale to help with the understanding of linguistic and cultural details. This book was definitely ahead of its time.
Highlights
I have read a similar story before, but I really liked this version of The son of Kimanaueze and the Daughter of the Sun and the Moon. A mortal man wanted to marry the celestial girl, but there was no one to carry his letters to her. Frog figured out a way to make the trip back and forth (in the water jugs of heavenly maidens), and managed to arrange the marriage through multiple visits.
The tale of Dinianga Dia Ngombe was strange but very entertaining. The hunter killed a deer and skinned it, but then the animal suddenly jumped up and got away. The hunter yelled after it, shaming it for running around "naked" - to which the deer responded that the hunter looked even more embarrassing, going home with an empty deer skin and nothing else. The humor was similarly poignant in the story of The young man and the skull; here the protagonist met a talking skull that warned him that his wits will be his undoing. The young man went around boasting that a talking skull told him he's so smart it will be his end... until they told him to prove his story. The skull, however, refused to talk, and the young man was beheaded, his own skull joining the family of talking skulls that should have known better.
I was fascinated by the tale of the two men who competed for the same girl. The father gave them the difficult task of catching a live deer. One of them considered his options and decided not to try, while the other stubbornly completed the task. The father gave the girl to the former, claiming that a man who followed senseless orders without thinking will make a terrible husband, and will beat his wife if she makes a mistake. Whoa.
Connections
![]() |
| Pic from here |
Once again I encountered a story about a woman (Ngana Samba) who married into the spirit world - here, against her will - and managed a daring escape together with her children. There was also another story where a little sister saved her siblings from the evil Ma-kishi spirits by keeping vigil at night and keeping them occupied. She eventually convinced her sisters to run away from the spirit world; in their escape they were helped by a hawk, which, strangely reminded me of a story I read from Kiribati.
There was a whole host of resident tricksters, including Hare and Monkey. In a Tar Baby variant they actually appeared together, and were caught by the tar-women set up by Leopard (but obviously they got away). In the tale about the shared food secretly stolen, Fox was tricked by a wily Mole, but he managed to take revenge in the end. In the story where the "male goat gave birth to kids" trial had to be decided, it was clever Duiker (a distant relative to Mouse Deer) who helped the defendant; while the infamous horse-riding trick of Br'er Rabbit was played on Elephant by Frog. I was also reminded of Br'er Rabbit stories by the "briar patch" tale, where Turtle made people believe he could only be killed by being thrown into the river. The ungrateful predator rescued from a trap (and then put back in) was Leopard, tricked by Hare. Leopard was also the villain of the story where he invited animals along to his family, played tricks on them on the way, and had them killed in the end. It was Monkey who managed to outsmart him (in other African traditions it used to be Antelope who tricked wily Tortoise).
Where to next?
Namibia!
Labels:
Africa,
Angola,
folktales,
Following Folktales,
trickster
Saturday, October 19, 2019
Tales in the Cathedral: Storytelling in Aachen
I already blogged about this year's FEST conference, but I still owed a report from the amazing storytelling event that followed after. I always love it when a gathering of international storytellers is followed by a festival, and this time Regina Sommer and the Haus der Märchen und Geschichten organized a truly special treat: We told stories inside the Aachen Cathedral at night!
We visited the cathedral during the conference that was organized by three different countries. It was my first time seeing it in person, and I was absolutely stunned by how beautiful it is. When we returned for the storytelling event (after a very friendly dinner), I could barely believe that this was going to be our venue for the night. We got a chapel for a green room (best green room ever, see the photo on the right), and they even opened the sacristy for us so that we could use the bathroom... (talk about being behind the scenes). The pre-event mood was cheerful, friendly, and filled with awe, underscored with Davide Bardi tuning his guitar in the chapel.
We were in excellent hands to help us explore: A group of young guides, trained by art historian Wirtz Ágnes (incidentally also the founder of the Világszép Foundation, the NGO I work for) when they were children, returned for the evening to offer special tours to visitors, telling us about the history and secrets of the cathedral. We got to see Charlemagne's throne built from stone slabs brought from Jerusalem, and also his golden sarcophagus. While we were on stage, the latter was visible behind us, and if we looked up over the audience, we could see the empty throne facing us from the first floor gallery. It was thrilling to imagine that someone that famous was listening to our stories... along with about three hundred people in the audience, who filled up all the seats. We had a full house... or rather, a full cathedral.
Storytellers were invited to represent carious cultures and traditions that had a connection to Charlemagne, the cathedral, the school he founded there, and the Carolingian renaissance era. For example, I was there because the cathedral has a Hungarian chapel, built in the 14th century; it has been an important place of pilgrimage ever since. Everyone told one story, and in-between performances we got to hear enchanting organ and saxophone music that filled the entire space, and transported us through time and space. The story I brought was a Hungarian legend from the time of the Mongolian invasion - it tells about how refugees were helped across the Danube by Fairy Queen Tündér Ilona, and the magician Göncöl táltos, who gave up their own powers for 777 years for them. This story holds a special significance this year, because the Mongolian invasion ended 777 years ago. I could hear the audience gasp when I told them that. It was an unforgettable moment. I was a little worried before for bringing such a pagan story into a cathedral, but since the event was opened by George Macpherson doing an ancient Celtic invocation, we both agreed that we would be fine. The Dom handled our stories well.
The other performances were all captivating, and although I could not follow the ones in German very well, I still enjoyed them. Davide Bardi and Paola Balbi brought us their incredible telling of Jesus' death and return from the points of view of Mary Magdalene and Peter. Michaela Sauber told us about Parsifal, Nuala Hayes brought us the Children of Lir, Gidon Horowitz the legend of the first temple in Jerusalem, Sam Cannarozzi legends of alchemy, Raymond den Boestert a tale of Till Uilenspiegel, and Abbi Patrix a creation myth from Africa about the spirit of creativity. Wirtz Ágnes and the young guides told us a story about Aachen together.
The whole evening was an amazing experience that connected people across time, space, and cultures, and I was incredibly honored to be a part of it. I wondered if the people building the Hungarian chapel centuries ago would have ever thought one day a Hungarian storyteller would visit, and talk about magicians and fairies under the arches...
We visited the cathedral during the conference that was organized by three different countries. It was my first time seeing it in person, and I was absolutely stunned by how beautiful it is. When we returned for the storytelling event (after a very friendly dinner), I could barely believe that this was going to be our venue for the night. We got a chapel for a green room (best green room ever, see the photo on the right), and they even opened the sacristy for us so that we could use the bathroom... (talk about being behind the scenes). The pre-event mood was cheerful, friendly, and filled with awe, underscored with Davide Bardi tuning his guitar in the chapel.
Storytellers were invited to represent carious cultures and traditions that had a connection to Charlemagne, the cathedral, the school he founded there, and the Carolingian renaissance era. For example, I was there because the cathedral has a Hungarian chapel, built in the 14th century; it has been an important place of pilgrimage ever since. Everyone told one story, and in-between performances we got to hear enchanting organ and saxophone music that filled the entire space, and transported us through time and space. The story I brought was a Hungarian legend from the time of the Mongolian invasion - it tells about how refugees were helped across the Danube by Fairy Queen Tündér Ilona, and the magician Göncöl táltos, who gave up their own powers for 777 years for them. This story holds a special significance this year, because the Mongolian invasion ended 777 years ago. I could hear the audience gasp when I told them that. It was an unforgettable moment. I was a little worried before for bringing such a pagan story into a cathedral, but since the event was opened by George Macpherson doing an ancient Celtic invocation, we both agreed that we would be fine. The Dom handled our stories well.
The other performances were all captivating, and although I could not follow the ones in German very well, I still enjoyed them. Davide Bardi and Paola Balbi brought us their incredible telling of Jesus' death and return from the points of view of Mary Magdalene and Peter. Michaela Sauber told us about Parsifal, Nuala Hayes brought us the Children of Lir, Gidon Horowitz the legend of the first temple in Jerusalem, Sam Cannarozzi legends of alchemy, Raymond den Boestert a tale of Till Uilenspiegel, and Abbi Patrix a creation myth from Africa about the spirit of creativity. Wirtz Ágnes and the young guides told us a story about Aachen together.
The whole evening was an amazing experience that connected people across time, space, and cultures, and I was incredibly honored to be a part of it. I wondered if the people building the Hungarian chapel centuries ago would have ever thought one day a Hungarian storyteller would visit, and talk about magicians and fairies under the arches...
Labels:
Aachen,
cathedral,
Charlemagne,
Germany,
performances,
storytellers
Monday, October 14, 2019
Roosters, dogs, tortoises (Following folktales around the world 126. - São Tomé and Príncipe)
Today I continue the blog series titled Following folktales around the world! If you would like to know what the series is all about, you can find the introduction post here. You can find all posts here, or you can follow the series on Facebook!
Sadly, once again I ran into a country where I could not get a folktale collection from. I searched for stories on the Internet, and came up with a few anyway (it would have been a lot easier if I read Portuguese...):
Why dogs don't talk
A short tale about a dog who helped its owner carry a burden home, but asked him not to tell anyone that the dog could talk. The owner's wife, however, managed to coax the secret out of her husband, and the dog got so offended that it stopped talking for good.
(I found this story in other versions as well)
The clever tortoise
Tortoise won the king's daughter in marriage by winning a bet, proving that chickens are never not hungry.
The singing roosters
Story says that the island of São Tomé used to be inhabited by roosters that crowed happily all day. Some people liked this, some tolerated it, but some were annoyed and eventually threatened the roosters with war if they did not leave. The roosters made the sensible choice, and with the leadership of a black rooster they moved somewhere else.
(This is also a popular tale, I found it on several sites)
I also found a reference to a Tortoise and the Hare tale, noting that Tortoise the resident trickster of the islands.
The tortoise and the dream
Tortoise claims that he can guess anyone's dream, so the Emperor puts him to the test. Tortoise uses colorful feathers to disguise himself as a bird, and spies on the ruler who talks about his dream about a breadfruit. (I have seen this tale with Anansi as well).
The legend of King Amador
Historical legend about the slave revolt in 1595 led by a man named Amador. The Portuguese colonizers beat down the revolt a year later and executed the king, but he became a legendary national hero and a symbol of independence.
Where to next?
Angola!
Sadly, once again I ran into a country where I could not get a folktale collection from. I searched for stories on the Internet, and came up with a few anyway (it would have been a lot easier if I read Portuguese...):
Why dogs don't talk
A short tale about a dog who helped its owner carry a burden home, but asked him not to tell anyone that the dog could talk. The owner's wife, however, managed to coax the secret out of her husband, and the dog got so offended that it stopped talking for good.
(I found this story in other versions as well)
The clever tortoise
Tortoise won the king's daughter in marriage by winning a bet, proving that chickens are never not hungry.
The singing roosters
Story says that the island of São Tomé used to be inhabited by roosters that crowed happily all day. Some people liked this, some tolerated it, but some were annoyed and eventually threatened the roosters with war if they did not leave. The roosters made the sensible choice, and with the leadership of a black rooster they moved somewhere else.
(This is also a popular tale, I found it on several sites)
I also found a reference to a Tortoise and the Hare tale, noting that Tortoise the resident trickster of the islands.
The tortoise and the dream
Tortoise claims that he can guess anyone's dream, so the Emperor puts him to the test. Tortoise uses colorful feathers to disguise himself as a bird, and spies on the ruler who talks about his dream about a breadfruit. (I have seen this tale with Anansi as well).
The legend of King Amador
Historical legend about the slave revolt in 1595 led by a man named Amador. The Portuguese colonizers beat down the revolt a year later and executed the king, but he became a legendary national hero and a symbol of independence.
Where to next?
Angola!
Labels:
Africa,
folktales,
Following Folktales,
São Tomé and Príncipe
Monday, October 7, 2019
Courage against cruelty (Following folktales around the world 125. - Equatorial Guinea)
Today I continue the blog series titled Following folktales around the world! If you would like to know what the series is all about, you can find the introduction post here. You can find all posts here, or you can follow the series on Facebook!
Leyendas y cuentos bujebas
de la Guinea Española
Arcadio de Larrea Palacin, Carlos Gonzalez Echegaray
Instituto de Estudios Africanos, 1955.
The 26 tales in the book were collected in 1952 (before the independence of the country) from members of the Bujeba (Kwasio) people, most of all a woman named Carmen Nsié. The introduction talks about the collection and translation process, the Bujeba storytelling tradition, and the indigenous way of life as portrayed in the folktales. The first chapter organizes all characters from the stories, listing information about them from the text, which is an interesting addition to a folktale collection, but not very useful up front until one has actually read the stories. Another smaller chapter listed other West African collections, and their comparisons to the tales in this book. The second half of the volume contains all the stories in Spanish mirror translation with the original Bujeba text.
Highlights
I loved the story of the Rescue of Miánlumba, in which a mother protected her infant daughter with a machete from a father who would only let male children live. The girl was cast into the river, and found and raised by another woman with great care. Eventually news of her reached the birth mother, who thanked the foster-mother for her help; from that day on "the girl had two mothers", the tale concludes. Violence was similarly judged in the story about The cruelty of Ntung, a brother who tortured his sister until their aunt showed up from the Land of Dwarves (where she'd married), took the girl with her, and healed her. She later showed up to tell the father and brother that the girl was better off living with her - and she did. In a third story, a girl named Yanga wandered into the house of a man-eating monster, and made friends with his daughter. When the monster tried to eat Yanga, the two girls ran away together, found a new home, married at the same time, and lived happily. Cruelty reached a more tragic result in the story of Nzambi and the Chimpanzee, in which an ape cradled a human child left by the river and talked to the mother, but the father came along, saw the animal, grew angry, and shot at her, killing the baby in the process.
Among the animal tales my favorite was the one where Tortoise, Boa, and Genet set out on a journey together, but because of all their special things (Genet always ran home to poop, Boa digested lunch for days, Tortoise could not climb over obstacles) the trip became a disaster.
Connections
I found yet another fire theft story in this book (I love those!); here the rebellious son of the sky god(ess, hard to tell) stole the spark with the help of Eagle and a dry vine.
I was reminded of Sindbad's Old Man of the Sea by the story where Nquion met the Forest Spirit while hunting in a forbidden place. The spirit clung to his back and did not let go; finally the hero was told by his grandmother in a dream how to get rid of the demon weighing down on his shoulders. I was reminded of Red Riding Hood by the tale of Guambo and the Demon Chief, where a girl, cursed by her sister, met various demons on her way home through the forest. She managed to avoid them by singing, but their chief swallowed her. She was rescued from the demon's stomach, by her parents.
I was reminded of a tale from Gabon by the story where Tortoise won a girl's hand (by cutting a tree down with the help of all his relatives). Leopard took the wife from him by force, but Tortoise got her back by hiding in the latrine and clinging to Leopard's testicles until he admitted defeat.
The trickster in residence is, once again, Tortoise.
Where to next?
São Tomé and Príncipe!
Leyendas y cuentos bujebas
de la Guinea Española
Arcadio de Larrea Palacin, Carlos Gonzalez Echegaray
Instituto de Estudios Africanos, 1955.
The 26 tales in the book were collected in 1952 (before the independence of the country) from members of the Bujeba (Kwasio) people, most of all a woman named Carmen Nsié. The introduction talks about the collection and translation process, the Bujeba storytelling tradition, and the indigenous way of life as portrayed in the folktales. The first chapter organizes all characters from the stories, listing information about them from the text, which is an interesting addition to a folktale collection, but not very useful up front until one has actually read the stories. Another smaller chapter listed other West African collections, and their comparisons to the tales in this book. The second half of the volume contains all the stories in Spanish mirror translation with the original Bujeba text.
Highlights
![]() |
| Pic from here |
Among the animal tales my favorite was the one where Tortoise, Boa, and Genet set out on a journey together, but because of all their special things (Genet always ran home to poop, Boa digested lunch for days, Tortoise could not climb over obstacles) the trip became a disaster.
Connections
I found yet another fire theft story in this book (I love those!); here the rebellious son of the sky god(ess, hard to tell) stole the spark with the help of Eagle and a dry vine.
I was reminded of Sindbad's Old Man of the Sea by the story where Nquion met the Forest Spirit while hunting in a forbidden place. The spirit clung to his back and did not let go; finally the hero was told by his grandmother in a dream how to get rid of the demon weighing down on his shoulders. I was reminded of Red Riding Hood by the tale of Guambo and the Demon Chief, where a girl, cursed by her sister, met various demons on her way home through the forest. She managed to avoid them by singing, but their chief swallowed her. She was rescued from the demon's stomach, by her parents.
I was reminded of a tale from Gabon by the story where Tortoise won a girl's hand (by cutting a tree down with the help of all his relatives). Leopard took the wife from him by force, but Tortoise got her back by hiding in the latrine and clinging to Leopard's testicles until he admitted defeat.
The trickster in residence is, once again, Tortoise.
Where to next?
São Tomé and Príncipe!
Labels:
Africa,
Equatorial Guinea,
folktales,
Following Folktales,
women
Monday, September 30, 2019
The Beauty in the Tale: Medieval Story Camp with the Világszép Foundation
Gather around, people, I'm going to tell you about my day job.
Two years ago I joined the Világszép Foundation as one of their resident storytellers. The Foundation was started in 2010 with the goal of aiding and supporting children in the state care system. Originally it organized summer camps, and then they added a volunteer storytelling program that sends tellers to group homes to tell bedtime stories to the children (we don't call these orphanages because most of the kids are not orphans, they just can't live with their family for various reasons). Since then, we have added several new programs, such as an inclusive kindergarten, inclusive after school programs, volunteer mentors, and career and crisis help. Still, the summer camps remain a large part of our work; we organize 6 or 7 of them every summer in the Story Center in Paloznak, a magical, peaceful lace by Lake Balaton. Storytelling is an integral part of every camp, but for kids aged 8-11 we specifically organize Story Camps around a theme. This year, our theme was Knights and Chivalry, and I would like to tell you more about it.
The camp was five beautiful, sunny days long. We started off each day with nursery rhymes and storytelling, and closed each one with a story and a lullaby (it might seem like nursery rhymes and lullabies are strange for this age group, but they create a connection that the kids rarely get to experience). The theme was all about chivalry, especially virtues: we used the stories to start discussions and activities about how real knights treat each other and the people around them. We had many adventures, built castles, made shields, and even held a tournament at the end of the week, after which we knighted all fourteen children.
Of course all of this would not have been a coherent whole without the storytelling. Story Camp is always especially fun for the tellers because we get to tell to the same audience regularly, opening and closing every day. The story collection for the camp took a lot of research, planning, and collecting to fit the age group, the virtues, the themes, the activities, and the Világszép philosophy - I had a lot of fun compiling it, and I was quite proud of the result. We ended up having nine "official" stories:
Prince Milinkuc (Hungarian folktale about a prince who has an incredible dream that he holds on to through many trials, and an evil ing who sends him various riddles to solve)
Dame Ragnell (A 15th century feminist classic, asking the big question: "What is it that all women want the most?")
Sistram and the Dragon (King Dietrich and his mentor drag a young knight out of a dragon's mouth - teamwork, people!)
The Kitchen Knight (Sir Gareth arrives to Camelot as a kitchen lad, but then goes on a quest with sassy Lady Lynet and proves his worth)
Astolfo travels to the Moon (A snippet from Orlando Furioso where an English knight takes a hippogriff to the Moon to find the lost common sense of his best friend)
Sir Gawain and the Green Knight (I LOVE telling a classic to an audience that has not heard it before!)
The Bonny Lass of Anglesey (Scottish ballad about an epic dance-off between a brave lady and some English lords)
Culhwch and Olwen (Old Welsh superhero team-up with a brave prince and some famous knights from Arthur's court)
Damon and Pythias (A medieval retelling of an old Greek tale of Friendship where one friends offers to die in the place of another)
It is always great fun for a storyteller to tell to the same audience for days. Kids get used to the stories and the medieval world, and become familiar with some of the characters (Sir Gawain, obviously, became a fan favorite). Three of us shared the nine stories above, so the kids also got to hear different styles of storytelling. You could tell that they were very much engaged because they made comments, asked questions, and even corrected us when we said something wrong (sometimes to the point where I had to take a pause to laugh myself).
Beside the "official" storytelling times, I also adored spontaneous storytelling moments, of which we had quite a lot. We had afternoon nap time every day, but since this age group doesn't really nap (or stay quiet) anymore, I offered them that they could join me in the Story Room (yes, we have one) and lie down to listen to some tales. These were my favorite moments of the entire camp: I sat on a couch surrounded by children - some listening intently, some dozing off, and some lying quietly until it was their turn to open their eyes and tell me what I should tell next. They were peaceful, beautiful afternoons filled with stories. At one point the kids discovered that I like superheroes and I speak Marvel (we got into a conversation over lunch about whether or not Thor's hammer is made of vibranium) (it isn't) they came to the afternoon sessions to ask for "superhero stories." I defaulted to Thor and Loki since the interest was already there... and I ended up telling them my entire Norse mythology repertoire. They listened with rapt attention, asked questions, discussed details, compared myth to Marvel, and even acted out some fun moments of the stories (such as Thor pretending to be a bride). Once again, I discovered how pop culture can be a bridge to traditional stories, and I got to nerd out to my heart's extent.
Every once in a while a kid asked for a story when no one else was around. These moments also had a certain kind of magic, and I tried my best to select stories that would fit that very special one-person audience.
I told twenty-three stories in five days, and each of them was a very memorable, unique experience. Whether it was with the whole group, or with a few kids, or just one child, they all carried the story-magic of Paloznak and the Világszép (lit. "Beauty of the World") atmosphere. They were days filled with smiles, hugs, sunshine, swimming, fruit straight from the trees, and peace. It was the perfect place to be, and I would not trade it for any other gig or performance.
I'm already counting down the days for next summer!
Two years ago I joined the Világszép Foundation as one of their resident storytellers. The Foundation was started in 2010 with the goal of aiding and supporting children in the state care system. Originally it organized summer camps, and then they added a volunteer storytelling program that sends tellers to group homes to tell bedtime stories to the children (we don't call these orphanages because most of the kids are not orphans, they just can't live with their family for various reasons). Since then, we have added several new programs, such as an inclusive kindergarten, inclusive after school programs, volunteer mentors, and career and crisis help. Still, the summer camps remain a large part of our work; we organize 6 or 7 of them every summer in the Story Center in Paloznak, a magical, peaceful lace by Lake Balaton. Storytelling is an integral part of every camp, but for kids aged 8-11 we specifically organize Story Camps around a theme. This year, our theme was Knights and Chivalry, and I would like to tell you more about it.
The camp was five beautiful, sunny days long. We started off each day with nursery rhymes and storytelling, and closed each one with a story and a lullaby (it might seem like nursery rhymes and lullabies are strange for this age group, but they create a connection that the kids rarely get to experience). The theme was all about chivalry, especially virtues: we used the stories to start discussions and activities about how real knights treat each other and the people around them. We had many adventures, built castles, made shields, and even held a tournament at the end of the week, after which we knighted all fourteen children.
Of course all of this would not have been a coherent whole without the storytelling. Story Camp is always especially fun for the tellers because we get to tell to the same audience regularly, opening and closing every day. The story collection for the camp took a lot of research, planning, and collecting to fit the age group, the virtues, the themes, the activities, and the Világszép philosophy - I had a lot of fun compiling it, and I was quite proud of the result. We ended up having nine "official" stories:
Prince Milinkuc (Hungarian folktale about a prince who has an incredible dream that he holds on to through many trials, and an evil ing who sends him various riddles to solve)
Dame Ragnell (A 15th century feminist classic, asking the big question: "What is it that all women want the most?")
Sistram and the Dragon (King Dietrich and his mentor drag a young knight out of a dragon's mouth - teamwork, people!)
The Kitchen Knight (Sir Gareth arrives to Camelot as a kitchen lad, but then goes on a quest with sassy Lady Lynet and proves his worth)
Astolfo travels to the Moon (A snippet from Orlando Furioso where an English knight takes a hippogriff to the Moon to find the lost common sense of his best friend)
Sir Gawain and the Green Knight (I LOVE telling a classic to an audience that has not heard it before!)
The Bonny Lass of Anglesey (Scottish ballad about an epic dance-off between a brave lady and some English lords)
Culhwch and Olwen (Old Welsh superhero team-up with a brave prince and some famous knights from Arthur's court)
Damon and Pythias (A medieval retelling of an old Greek tale of Friendship where one friends offers to die in the place of another)
It is always great fun for a storyteller to tell to the same audience for days. Kids get used to the stories and the medieval world, and become familiar with some of the characters (Sir Gawain, obviously, became a fan favorite). Three of us shared the nine stories above, so the kids also got to hear different styles of storytelling. You could tell that they were very much engaged because they made comments, asked questions, and even corrected us when we said something wrong (sometimes to the point where I had to take a pause to laugh myself).
Beside the "official" storytelling times, I also adored spontaneous storytelling moments, of which we had quite a lot. We had afternoon nap time every day, but since this age group doesn't really nap (or stay quiet) anymore, I offered them that they could join me in the Story Room (yes, we have one) and lie down to listen to some tales. These were my favorite moments of the entire camp: I sat on a couch surrounded by children - some listening intently, some dozing off, and some lying quietly until it was their turn to open their eyes and tell me what I should tell next. They were peaceful, beautiful afternoons filled with stories. At one point the kids discovered that I like superheroes and I speak Marvel (we got into a conversation over lunch about whether or not Thor's hammer is made of vibranium) (it isn't) they came to the afternoon sessions to ask for "superhero stories." I defaulted to Thor and Loki since the interest was already there... and I ended up telling them my entire Norse mythology repertoire. They listened with rapt attention, asked questions, discussed details, compared myth to Marvel, and even acted out some fun moments of the stories (such as Thor pretending to be a bride). Once again, I discovered how pop culture can be a bridge to traditional stories, and I got to nerd out to my heart's extent.
Every once in a while a kid asked for a story when no one else was around. These moments also had a certain kind of magic, and I tried my best to select stories that would fit that very special one-person audience.
I told twenty-three stories in five days, and each of them was a very memorable, unique experience. Whether it was with the whole group, or with a few kids, or just one child, they all carried the story-magic of Paloznak and the Világszép (lit. "Beauty of the World") atmosphere. They were days filled with smiles, hugs, sunshine, swimming, fruit straight from the trees, and peace. It was the perfect place to be, and I would not trade it for any other gig or performance.
I'm already counting down the days for next summer!
Labels:
camps,
children,
Dietrich Cycle,
King Arthur,
knights,
legends,
storytelling,
Világszép Foundation
Animal tale bonanza (Following folktales around the world 124. - Gabon)
Today I continue the blog series titled Following folktales around the world! If you would like to know what the series is all about, you can find the introduction post here. You can find all posts here, or you can follow the series on Facebook!
Where Animals Talk
West African Folk Lore Tales
Robert H. Nassau
The Gorham Press, 1918.
These tales have been collected by the author at the end of the 19th century from local Bantu peoples along the coast of the Gulf of Guinea. The first chapter presents folktales from Mpongwe storytellers from Libreville, the second from Benga tellers from the island of Corisco, and the third from a Batanga teller who learned his tales from Bulu people from Cameroon. (In this post I will only talk about the sixteen stories of the first chapter, since Equatorial Guinea has a whole other book). The collector took notes during oral storytelling evenings, trying to keep as much of the vernacular as possible, but he also translated a few of the stories from other written sources. The book comes with a short introduction, and a long list of local animal names at the end. Each tale comes with a list of characters and settings (almost like a theater play), and comments from the collector.
Highlights
The book is full of animal and trickster tales, both familiar and new types. One of the resident tricksters, obviously, was Tortoise. In one story he fulfilled various clever tasks to win a wife, and though Leopard stole her for a moment, eventually Tortoise had the last laugh.
Next to Tortoise, the other popular trickster figure was Rat, who also was in the business of making a fool of stronger animals. Like Tortoise, he also stole a wife from Leopard, this time by changing his name to "Strangers", so that every time the bridal party was addressed, he claimed all the goods. In another story he stole back the meat that Leopard kept taking from him by force. Leopard eventually caught Rat with the classic "tar baby" trick, but when he came to see the thief, Rat started yelling "I got him! I got the thief! I'm holding him!", which is pretty genius. In the end, Rat managed to take what was his.
In a third similar story Leopard pretended to be dead, to catch animals who came to pay their respects. Gazelle did not fall for the trick, and with the help of Tortoise came up with some tests: He threw bees, ants, and pepper at the corpse, which immediately came alive...
One of my favorite stories in the book was about animals gathering for Crocodile's funeral, and trying to decide who the next of kin was. Birds claimed it was them, because they are also born from eggs, while beasts said they walk on four legs and so did Crocodile. The argument was never fully decided. (In another chapter there was a similar tale, but with Bat).
In another fin tale Manatee, Oyster, and Hog were having a contest over who had the most fat, and used it to decide where they will live. Manatee (the winner) moved into the rivers, Oyster into the edge of the salt water, and Hog, who messed up the contest, lost its horns forever. I was also thoroughly entertained by the story that explained why mosquitoes buzz in people's ears. Apparently, Ear promised some oil to Mosquito, but never delivered, and the insects have been bugging Ear ever since, asking for some ear wax.
Connections
There was yet another classic tug-o-war trickster tale: here Tortoise claimed to be as strong as Elephant and Hippo. Another classic, about two animals making trick feasts for each other, featured Tortoise and Monkey. The story about the suitors of Princess Gorilla reminded me of all the tortoise-and-hare tales: Here, suitors had to drink an entire barrel of rum. The contest was won by a family of tiny monkeys, who all pretended to be one monkey that sometimes ran away into the tall grass to pee.
Among the longer stories there was once again a variant for the mysterious and dangerous husband - here, a Leopard in disguise. The girl who married him was rescued by her faithful horse.
Where to next?
Equatorial Guinea!
Where Animals Talk
West African Folk Lore Tales
Robert H. Nassau
The Gorham Press, 1918.
These tales have been collected by the author at the end of the 19th century from local Bantu peoples along the coast of the Gulf of Guinea. The first chapter presents folktales from Mpongwe storytellers from Libreville, the second from Benga tellers from the island of Corisco, and the third from a Batanga teller who learned his tales from Bulu people from Cameroon. (In this post I will only talk about the sixteen stories of the first chapter, since Equatorial Guinea has a whole other book). The collector took notes during oral storytelling evenings, trying to keep as much of the vernacular as possible, but he also translated a few of the stories from other written sources. The book comes with a short introduction, and a long list of local animal names at the end. Each tale comes with a list of characters and settings (almost like a theater play), and comments from the collector.
Highlights
The book is full of animal and trickster tales, both familiar and new types. One of the resident tricksters, obviously, was Tortoise. In one story he fulfilled various clever tasks to win a wife, and though Leopard stole her for a moment, eventually Tortoise had the last laugh.
Next to Tortoise, the other popular trickster figure was Rat, who also was in the business of making a fool of stronger animals. Like Tortoise, he also stole a wife from Leopard, this time by changing his name to "Strangers", so that every time the bridal party was addressed, he claimed all the goods. In another story he stole back the meat that Leopard kept taking from him by force. Leopard eventually caught Rat with the classic "tar baby" trick, but when he came to see the thief, Rat started yelling "I got him! I got the thief! I'm holding him!", which is pretty genius. In the end, Rat managed to take what was his.
In a third similar story Leopard pretended to be dead, to catch animals who came to pay their respects. Gazelle did not fall for the trick, and with the help of Tortoise came up with some tests: He threw bees, ants, and pepper at the corpse, which immediately came alive...
One of my favorite stories in the book was about animals gathering for Crocodile's funeral, and trying to decide who the next of kin was. Birds claimed it was them, because they are also born from eggs, while beasts said they walk on four legs and so did Crocodile. The argument was never fully decided. (In another chapter there was a similar tale, but with Bat).
In another fin tale Manatee, Oyster, and Hog were having a contest over who had the most fat, and used it to decide where they will live. Manatee (the winner) moved into the rivers, Oyster into the edge of the salt water, and Hog, who messed up the contest, lost its horns forever. I was also thoroughly entertained by the story that explained why mosquitoes buzz in people's ears. Apparently, Ear promised some oil to Mosquito, but never delivered, and the insects have been bugging Ear ever since, asking for some ear wax.
Connections
There was yet another classic tug-o-war trickster tale: here Tortoise claimed to be as strong as Elephant and Hippo. Another classic, about two animals making trick feasts for each other, featured Tortoise and Monkey. The story about the suitors of Princess Gorilla reminded me of all the tortoise-and-hare tales: Here, suitors had to drink an entire barrel of rum. The contest was won by a family of tiny monkeys, who all pretended to be one monkey that sometimes ran away into the tall grass to pee.
Among the longer stories there was once again a variant for the mysterious and dangerous husband - here, a Leopard in disguise. The girl who married him was rescued by her faithful horse.
Where to next?
Equatorial Guinea!
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